a woman | an island | the moon

2017-2020

These circular paintings or tondos are like windows, portals, or worlds that lead into or contain the absurdity of the events they depict. The circle, saturated color, and pattern allow me to explore and allude to metaphors for isolation and belonging, relationships and identity, boundaries and openness, hope and hopelessness, home and homeland.

Exhibition Essay by John Seed

Blue Moon (Copy) — Blue Moon

2017, oil and Flashe on paper on panel, 46 inch diameter

Small World (Copy) — Small World

2017, oil and Flashe on paper on panel, 46 inch diameter

Landlocked (Copy) — Landlocked

2018, oil and Flashe on paper on panel, 46 inch diameter

Neither Here Nor There (Copy) — Neither Here Nor There

2018, oil and Flashe on paper on panel, 29 inch diameter

Watching the Sea (Copy) — Watching the Sea

2018, oil and Flashe on paper on panel, 40 inch diameter
Courtesy of Zillman Art Museum

Patiently Waiting (Copy) — Patiently Waiting

2018, oil and Flashe on paper on panel, 14 inch diameter
Private Collection

Perfidy (Copy) — Perfidy

2018, oil and Flashe on paper on panel, 41 inch diameter

Nesting (Copy) — Nesting

2018, oil and Flashe on paper on panel, 11 inch diameter
Private Collection

Lobster Boat (Copy) — Lobster Boat

2017, oil and Flashe on paper on panel, 13 inch diameter

Paper Moon (Copy) — Paper Moon

2018, oil and Flashe on paper on panel, 22 inch diameter

Lotus House (Copy) — Lotus House

2017, oil and Flashe on paper on panel, 32 inch diameter

Moonlight Tug (Copy) — Moonlight Tug

2018, oil and Flashe on paper on panel, 31 inch diameter

Night Sail (Copy) — Night Sail

2017, oil and Flashe on paper on panel, 18 inch diameter

Yellow Underbelly (Copy) — Yellow Underbelly

2017, oil and Flashe on paper on panel, 31 inch diameter

Cake (Copy) — Cake

2019, oil on paper on panel, 10 inch diameter
Private Collection

Noon (Copy) — Noon

2019, oil on paper on panel, 8 inch diameter